6 Tips on How to Make Professional Outdoor Photography and Nature Shots

A photo shoot in nature is not just about keeping a good eye. The good thing is: the motif is steady and doesn’t run away! Nevertheless, moving elements of landscape photography can add an additional spice. Do you already know the golden ratio? No? Then you should definitely read on because this is a great tool for outdoor photography. Almost all professionals use it …

The art of landscape photography

The art of taking beautiful photos is not just about having a beautiful motif. Some naturally succeed in capturing the overall picture wonderfully. Others prefer to focus on close-ups during the photo shoot.

The nice thing about landscape photos is that they don’t run away. A small captured movement in the picture can be interesting. A dash of color from a moving plant, passing clouds or a bird in the background give a simple photo more life, for example. But let’s start from the beginning.

The be-all and end-all: the right equipment

Admittedly, you can also get good photos with your smartphone, but if you have a camera with which you can manually set the exposure time, for example, you will be able to score well. This makes a lot of difference, especially with moving elements such as water. In addition, no one can hold a camera still long enough. A tripod is therefore a must for amateur photographers and especially for photo shoots.

Otherwise, the basic equipment for beginners also depends on the purposes for which the camera is intended. In general, it is important to distinguish between system cameras and single-lens reflex models (DSLR). The acquisition of additional lenses, flashes and other accessories should be in the background as a beginner. These are often not necessary for leisure photos and nature shots.

Exceptional perspectives

An ordinary motif can suddenly look very interesting with the help of extraordinary perspectives. So the point from where the camera takes its pictures is generally very important when taking pictures of nature. Whether from the ground, from a staircase or from a bird’s eye view – many nature shots are taken from different perspectives during the photo shoot. So you can later decide on the PC which perspective works best for a motif.

The Golden cut

The golden ratio is very helpful for a harmonious image structure. Especially in nature shots, it is often used as an aid for photo shoots. It is about the division of the overall picture in a certain division ratio.

The central placement of a motif in the picture often appears boring and static. With the golden ratio, however, the motif is placed somewhat differently. The division ratio creates imaginary lines and intersections, which are basically 1/3 to 2/3 and are often displayed as a subdivision in the cameras as a grid.

In this way, the viewer’s gaze can be directed to specific points in the photo. If the motif is placed at the intersection points or directly on the lines of the golden section, the overall picture appears very harmonious.

Again, very simply explained: As on the telephone keypad, the picture is divided into nine fields. The motif is now placed on one of the corners of the number 5 – or just the border lines in the middle. No magic – simple image division!

Reflections and exciting foregrounds

Reflections and exciting foregrounds are also very interesting for landscape shots. During photo shoots they are often used as tools to give the actual motive – the landscape – a hidden eye catcher.

The right light

With long exposures, some special effects are created during the photo shoot, especially for outdoor photos. This can blur the clouds, make the water look milky, or blur other moving objects in the picture, while the rest appear normal. But even with normal daylight, very nice outdoor photos can be taken.

The right time is probably decisive here. Around the sunrise and sunset is a good time to get very beautiful nature pictures, just to name one example. The light is softer and the landscape looks so much more romantic.

The correct composition of the picture (taking sections of objects, combining them with other objects)

An additional motif in the picture enhances some of the main motifs enormously – at least if it were otherwise all alone in the picture. Taking sections of objects and combining them with other objects has already become a duty for many star photographers and is an often used tool for photo shoots.

For example, you can only photograph a section of the motif and, for example, properly stage it with a moving object. This can be much more effective than just taking a rough picture of the entire motif. This is especially true for close-ups.

There is one exception, however: the negative space. This means the empty space that can be seen in the picture. Images with a very large negative space and only one motif can also appear and be interesting without a composition. It immediately draws the eye to the main motif and lets the rest simply appear in color. There are many examples here, for example with negative space in the form of a sky. For example, a blue, cloudless sky and a single bird as a motif.